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Artist
Charles Lock Eastlake
1793–1865 · United Kingdom of Great Britain and Ireland
Sir Charles Lock Eastlake (17 November 1793 – 24 December 1865) was a British painter, gallery director, collector and writer of the 19th century. After a period as keeper, he was the first director of the National Gallery. Wikipedia
40 works in the quiz. Play a round on Charles Lock Eastlake — not whether it is theirs, but which one.
Works
- “Napoleon Bonaparte on Board the 'Bellerophon' in Plymouth Sound”, 1815 — Royal Museums Greenwich
- “Lord Byron’s ‘Dream’”, 1827 — National Gallery
- “Christ Lamenting over Jerusalem”, 1846 — National Gallery
- “The Champion”, 1824 — Birmingham Museums Trust
- “Brutus Exhorting the Romans to Revenge the Death of Lucretia”, 1814 — Williamson Art Gallery and Museum
- “Hagar and Ishmael”, 1830 — Royal Academy of Arts
- “A View of Trajan's Forum, Rome”, 1821 — Yale Center for British Art
- “The Colosseum from the Campo Vaccino”, 1822 — Tate
- “Pilgrims Arriving in Sight of Rome”, 1827 — Philadelphia Museum of Art
- “An Italian Contadina and Her Children”, 1823 — Victoria and Albert Museum
- “The Celian Hill from the Palatine”, 1823
- “The Erechtheum, Athens, with Figures in the Foreground”, 1821 — Yale Center for British Art
- “Hagar offering Water to her Son, Ishmael, in the Desert”, 1842 — National Trust
- “The Good Samaritan”, 1850 — Royal Collection
- “Mrs Charles H. Bellenden Ker”, 1835 — National Gallery
- “The Escape of Francesco Novello di Carrara, with his Wife, from the Duke of Milan”, 1850 — National Gallery
- “Haidée, a Greek Girl”, 1827 — National Gallery
- “The Colosseum from the Esquiline”, 1822 — Tate
- “Napoleon Bonaparte (1769–1821)”, 1815 — Bodleian Libraries
- “The Trajan Forum, Rome”, 1821 — Victoria and Albert Museum
- “An antique rural scene”, 1827 — Art Gallery of New South Wales
- “A View of the Church of S. Sabina and the Pyramid of Cestius, Rome”, 1825 — Yale Center for British Art
- “A View at Girgenti in Sicily with the Temple of Concord and Juno”, 1818 — Yale Center for British Art
- “The Sisters”, 1844 — Royal Collection
- “A Group of Angels”, 1844 — Royal Collection
- “Zia Theresa: The visit to the nun”, 1844 — Royal Collection
- “The Cave of Despair (from Edmund Spenser's 'The Faerie Queene', Book 1, Canto 9, Lines 8–35)”, 1830 — Sir John Soane's Museum
- “A Peasant Woman Fainting from the Bite of a Serpent”, 1831 — Victoria and Albert Museum
- “Contemplation”, 1836 — Royal Albert Memorial Museum & Art Gallery
- “Christ Blessing Little Children”, 1839 — Manchester Art Gallery
- “Cypresses at L’Ariccia, Italy” — Royal Albert Memorial Museum & Art Gallery
- “Boaz and Ruth”, 1853 — Shipley Art Gallery
- “Near Rome” — National Museum Cardiff
- “The Cumaean Sibyl (after Domenichino)” — Victoria and Albert Museum
- “Coliseum” — Brighton Museum & Art Gallery
- “Cypress trees at the Villa d'Este”, 1817 — Art Gallery of South Australia
- “A Panoramic View near Rome”, 1818 — Fitzwilliam Museum
- “A Painter Dreaming of Queen Victoria's Patronage of the Arts (?)”, 1841 — City Hall of Cardiff
- “Christ Lamenting over Jerusalem”, 1855 — Glasgow Museums Resource Centre
- “Held for Ransom” — Stockport Heritage Services