Charles-Antoine Coypel

1694–1752 · France

Charles-Antoine Coypel (11 July 1694 – 14 June 1752) was a French painter, art critic, and playwright. He became court painter to the French king and director of the Académie Royale. Wikipedia

20 works in the quiz. Play a round on Charles-Antoine Coypel — not whether it is theirs, but which one.

Works

“La destruction du palais d'Armide”, 1737 — Louvre
“Philippe Coypel”, 1732 — Louvre
“Disciples at Emmaus”, 1746
“Medea”, 1715 — Metropolitan Museum of Art
“Fury of Achilles”, 1737 — Hermitage Museum
“Self-portrait”, 1746 — Palace of Versailles
“Portrait of Adrienne Lecouvreur as Cornelia” — Salle Richelieu
“Awakening sleeping Genius”, 1730s
“Selbstporträt”, 1739 — Musée des Beaux-Arts d'Orléans
“Sorrowful Heraclitus”, 1746
“Self-Portrait”, 1734 — J. Paul Getty Museum
“Hercules and Omphale”, 1731 — Bavarian State Painting Collections
“Portrait of Charlotte Philippine de Châtre du Cangé, Marquise de Lamure”, 1735 — Worcester Art Museum
“Cheerful Democritus”, 1746
“Portrait of Marie-Angélique Catherine Darlus”, 1735 — Château de Cheverny
“Allegory of autumns, Two children holding a tray with peaches and grapes”, 1750
“Christ Curing a Possessed Man”, 1717 — National Gallery of Ireland
“The Blacksmith Cupids” — Dallas Museum of Art
“The supper at Emmaus”, 1746 — Saint-Louis en l'Île
“The Education of the Virgin Mary”, 1736 — Speed Art Museum