Charles Conder

1868–1909 · United Kingdom

Charles Edward Conder (24 October 1868 – 9 February 1909) was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School, arguably the beginning of a distinctively Australian tradition in Western art. Wikipedia

54 works in the quiz. Play a round on Charles Conder — not whether it is theirs, but which one.

Works

“A holiday at Mentone”, 1888 — Art Gallery of South Australia
“Swanage Bay”, 1901 — Tate
“Springtime”, 1892 — Tate
“Spring by the Sea”, 1905 — Tate
“Gibraltar from Algeciras”, 1905 — Tate
“A Summer Afternoon: The Green Apple”, 1894 — Tate
“An Impressionist (Tom Roberts)”, 1889 — Art Gallery of New South Wales
“On the River Yarra, near Heidelberg, Victoria”, 1890 — Art Gallery of New South Wales
“Rickett's Point”, 1890 — National Gallery of Victoria
“Portrait of Mrs. Amy Halford” — Fitzwilliam Museum
“Departure of the Orient - Circular Quay”, 1888 — Art Gallery of New South Wales
“The hot sands, Mustapha, Algiers”, 1891 — Art Gallery of New South Wales
“The Yarra, Heidelberg”, 1890 — National Gallery of Australia
“Under a southern sun (Timber splitter's camp)”, 1890 — National Gallery of Australia
“All on a summer's day”, 1888 — Art Gallery of South Australia
“Going home (The Gray and Gold)”, 1888 — National Gallery of Australia
“Sunset, Sydney Harbour”, 1888 — Art Gallery of New South Wales
“Hot Wind”, 1889 — National Gallery of Australia
“Herrick's Blossoms”, 1888 — National Gallery of Australia
“Impressionists' camp”, 1889 — National Gallery of Australia
“Ricketts Point, Beaumaris”, 1890 — National Gallery of Australia
“Dandenongs from Heidelberg”, 1889 — Art Gallery of South Australia
“How we lost poor Flossie”, 1889 — Art Gallery of South Australia
“Riddell's Creek”, 1889 — National Gallery of Australia
“Tea-time”, 1888 — Art Gallery of South Australia
“Portrait of William Orpen (1878-1931), Artist” — National Gallery of Ireland
“The Romantic Excursion”, 1899 — Dallas Museum of Art
“Beauvais - The Inconstant, The Silenus, The Charlatan”, 1899 — Birmingham Museums Trust
“The Cornfield” — National Museum Cardiff
“Figures on a Beach” — Government Art Collection
“The Trellis” — Glasgow Museums Resource Centre
“The Bridge” — Glasgow Museums Resource Centre
“Panel” — The Atkinson
“Circus Scene”, 1905 — Yale Center for British Art
“Elle Etait Une Bergere by Charles Conder - Charles Conder” — Aberdeen Archives, Gallery and Museums collections
“Bal Masque by Charles Conder - Charles Conder”, 1895 — Aberdeen Archives, Gallery and Museums collections
“The Shore at Dornoch”, 1896 — Aberdeen Archives, Gallery and Museums collections
“The Ord of Caithness”, 1896 — Aberdeen Archives, Gallery and Museums collections
“Portrait of a Man” — Yale Center for British Art
“Venetian Night”, 1890–1895 — Ashmolean Museum