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Artist
William Hogarth
1697–1764 · Kingdom of Great Britain · Realism
William Hogarth (10 November 1697 – 26 October 1764) was an English painter, engraver, cartoonist, and satirist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Wikipedia
What to look for
Satirical series of moral tales, crowded scenes full of detail, comic types and London vice.
175 works in the quiz. Play a round on William Hogarth — not whether it is theirs, but which one.
Works
- “A Harlot's Progress”, 1732
- “Marriage à-la-mode”, 1743 — National Gallery
- “Beer Street and Gin Lane”, 1751 — Victoria and Albert Museum
- “A Rake's Progress”, 1732 — Sir John Soane's Museum
- “Strolling Actresses Dressing in a Barn”, 1738 — British Museum
- “Beer Street”, 1751 — Yale Center for British Art
- “The Shrimp Girl”, 1743 — National Gallery
- “The Graham Children”, 1742 — National Gallery
- “Marriage A-la-Mode: 2. The Tête à Tête”, 1743 — National Gallery
- “Four Times of the Day”, 1736
- “Satire on False Perspective”, 1754
- “Before and After”, 1731 — Metropolitan Museum of Art
- “The Painter and his Pug (Self-portrait)”, 1745 — National Gallery
- “The Orgy”, 1735 — Sir John Soane's Museum
- “Marriage A-la-Mode: 4. The Toilette”, 1743 — National Gallery
- “Credulity, Superstition, and Fanaticism”, 1762
- “Marriage A-la-Mode: 6. The Lady's Death”, 1743 — National Gallery
- “Hogarth's Servants”, 1752 — National Gallery
- “Emblematical Print on the South Sea Scheme”, 1721 — British Museum
- “The Gate of Calais”, 1748 — National Gallery
- “The Strode Family”, 1738 — National Gallery
- “Marriage A-la-Mode: 3. The Inspection”, 1743 — National Gallery
- “The Distrest Poet”, 1736 — Birmingham Museums Trust
- “Sigismunda mourning over the Heart of Guiscardo”, 1759 — National Gallery
- “The March of the Guards to Finchley”, 1750 — Foundling Museum
- “David Garrick as Richard III”, 1745 — Walker Art Gallery
- “The Bad Taste of the Town”, 1724 — British Museum
- “Marriage A-la-Mode: 5. The Bagnio”, 1743 — National Gallery
- “The Enraged Musician”, 1741 — Victoria and Albert Museum
- “The Lady's Last Stake”, 1759 — Buffalo AKG Art Museum
- “A Just View of the British Stage”, 1724 — Victoria and Albert Museum
- “Scene from Shakespeare's The Tempest”, 1736 — National Trust
- “Taste in High Life”, 1742 — Metropolitan Museum of Art
- “The Company of Undertakers”, 1736 — Yale Center for British Art
- “The Bench”, 1758 — Fitzwilliam Museum
- “Assembly at Wanstead House”, 1731 — Philadelphia Museum of Art
- “Characters and Caricaturas”, 1743 — British Museum
- “Columbus Breaking the Egg”, 1752
- “Portrait of Captain Thomas Coram”, 1740 — Foundling Museum
- “Captain Lord George Graham in his Cabin”, 1745 — Royal Museums Greenwich
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