William Bell Scott

1811–1890 · United Kingdom of Great Britain and Ireland

William Bell Scott (12 September 1811 – 22 November 1890) was a Scottish artist in oils and watercolour and occasionally printmaking. He was also a poet and art teacher, and his posthumously published reminiscences give a chatty and often vivid picture of life in the circle of the Pre-Raphaelites; he was especially close to Dante Gabriel Rossetti. Wikipedia

34 works in the quiz. Play a round on William Bell Scott — not whether it is theirs, but which one.

Works

“Albrecht Dürer on the Balcony of his House”, 1854 — National Galleries of Scotland
“The Eve of the Deluge”, 1865 — National Gallery
“Autumn Crocus”, 1861 — Scottish National Gallery
“Seascape on the Northumbrian Coast”, 1863 — William Morris Gallery
“The Building of the New Castle, 1080”, 1864 — Literary and Philosophical Society of Newcastle upon Tyne
“A Leopard”, 1864 — Scottish National Gallery
“A Rocky Shore with a Shipwreck”, 1843 — Scottish National Gallery
“White Lilies”, 1843 — Scottish National Gallery
“Illustration to a Scene from 'The Decameron' by Giovanni Boccaccio”, 1843 — Scottish National Gallery
“Shelley's Grave”, 1873 — Ashmolean Museum
“Keats's Grave”, 1873 — Ashmolean Museum
“Fair Rosamond Alone in Her Bower”, 1853 — Kelvingrove Art Gallery and Museum
“The Trial of Sir William Wallace at Westminster” — Guildhall Art Gallery
“The Kingis Quair”, 1867 — National Galleries of Scotland
“Pixies dancing in a Ring by the Firelight”, 1885 — National Trust
“Mrs Halliwell as an Old Woman”, 1840 — National Trust
“Girl in a Blue Dress” — Hatton Gallery
“The Argonauts”, 1843 — Scottish National Gallery
“Una and the Lion (from Spenser's 'The Faerie Queene')”, 1860 — National Galleries of Scotland
“Port na Curachan, Iona”, 1887 — National Galleries of Scotland
“Ailsa Craig”, 1860 — Yale Center for British Art
“William Bell Scott, 1811 - 1890. Poet and artist (Self-portrait)”, 1867 — National Galleries of Scotland
“Algernon Charles Swinburne (1837–1909), Commoner (1856), Poet”, 1860 — Balliol College
“Fair Rosamund in her Bower”, 1854
“Bell-Ringers and Cavaliers Celebrating the Entrance of Charles II into London on Restoration” — Laing Art Gallery
“A Picnic at Hanwell”, 1841 — Victoria and Albert Museum
“In the Nineteenth Century the Northumbrians show the World what can be done with Iron and Coal”, 1861 — National Trust
“Cockcrow”, 1856
“The Border Widow”, 1861 — Aberdeen Archives, Gallery and Museums collections
“The New Moon”, 1863 — Yale Center for British Art
“Ariel and Caliban”, 1865
“Thomas Evans”, 1840 — National Trust
“Pauline Jermyn, Lady Trevelyan (1816-1866)”, 1864 — National Trust
“The Nativity”, 1872 — National Galleries of Scotland