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Artist
George Ault
1891–1948 · United States · Precisionism
George Copeland Ault (October 11, 1891 – December 30, 1948) was an American painter. He was loosely grouped with the Precisionist movement and, though influenced by Cubism and Surrealism, his most lasting work is of a realist nature. Wikipedia
34 works in the quiz. Play a round on George Ault — not whether it is theirs, but which one.
Works
- “New Moon, New York”, 1945 — Museum of Modern Art
- “The Mill Room”, 1923 — Fine Arts Museums of San Francisco
- “Bright Light at Russell's Corners”, 1946 — Smithsonian American Art Museum
- “Studio Interior”, 1938 — Smithsonian American Art Museum
- “Black Night: Russell's Corners”, 1943 — Pennsylvania Academy of the Fine Arts
- “Brook in the Mountains”, 1945 — Minneapolis Institute of Art
- “New York Night, No. 2”, 1921 — The Vilcek Foundation
- “Nude and Torso”, 1945
- “August Night At Russell's Corners”, 1948 — Joslyn Art Museum
- “Daylight at Russell's Corners”, 1944 — Crystal Bridges Museum of American Art
- “Hudson Street”, 1932 — Whitney Museum of American Art
- “The Artist at Work”, 1946 — Whitney Museum of American Art
- “Sunday Afternoon, Greenwich Avenue”, 1925 — The Vilcek Foundation
- “Hoboken Factory”, 1932
- “The Ricks Barn, Woodstock”, 1940 — Museum of Fine Arts, Houston
- “Where the Road Turns”, 1939
- “Highland Light”, 1929 — M. H. de Young Memorial Museum
- “Cat and Lamp”, 1928
- “Desert Landscape”, 1941
- “East River”, 1925
- “January Full Moon”, 1941 — The Nelson-Atkins Museum of Art
- “Summer Landscape”, 1934
- “Back of Patchin Place”, 1927 — Hood Museum of Art
- “Came's House”, 1933
- “Interior”, 1931 — Carnegie Museum of Art
- “Old House, New Moon”, 1943 — Yale University Art Gallery
- “Construction: Night”, 1923 — Yale University Art Gallery
- “View from Brooklyn”, 1927 — The Vilcek Foundation
- “The Stairway”, 1921
- “From Brooklyn Heights”, 1925
- “Miss Whiting”, 1923
- “Mantel Composition”, 1929
- “Anderson Farm”, 1938
- “Driveway. Newark”, 1931