Antonio del Pollaiuolo

1433–1498 · Republic of Florence

Antonio del Pollaiuolo, also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all these media, as well as designing works in others, for example vestments, metal embroidery being a medium he worked in at the start of his career. Wikipedia

17 works in the quiz. Play a round on Antonio del Pollaiuolo — not whether it is theirs, but which one.

Works

“Hercules and the Hydra”, 1475 — Uffizi Gallery
“Heracles and Antaeus”, 1475 — Uffizi Gallery
“Battle of the Nudes”, 1460 — Metropolitan Museum of Art
“Martyrdom of Saint Sebastian”, 1475 — National Gallery
“Portrait of a Lady”, 1475 — Uffizi Gallery
“Elevation of the Magdalen”, 1460 — Museo Pala del Pollaiolo
“Hercules and Antaeus”, 1475 — Bargello National Museum
“Hercules and Deianira”, 1470 — Yale University Art Gallery
“Cardinal of Portugal's Altarpiece”, 1467 — Uffizi Gallery
“David Victorious”, 1470 — Gemäldegalerie
“Silver Altar of San Giovanni Battista”
“Study for the Equestrian Monument to Francesco Sforza”, 1483 — Metropolitan Museum of Art
“Naked dancers”, 1465 — Villa La Gallina
“Heracles”, 1480 — Gemäldegalerie
“Bust of a young warrior”, 1469–1470 — Hospital of Santa Maria Nuova
“Archangel Michael and the dragon”, 1465 — Museo Bardini
“Arcangelo Raffaele E Tobiolo”