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Artist
Félicien Rops
1833–1898 · Belgium · Symbolism
Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism, Decadence, and the Parisian fin de siècle, and was a member of the Les XX group. Wikipedia
50 works in the quiz. Play a round on Félicien Rops — not whether it is theirs, but which one.
Works
- “Pornocrates”, 1878 — French Community
- “The Temptation of St Anthony”, 1878 — Royal Library of Belgium
- “The lady with the puppet”, 1885 — King Baudouin Foundation
- “In the wings”, 1878–1880 — King Baudouin Foundation
- “Bust of a Woman Wearing a Lorgnette around her Neck”, 1843–1898 — Rijksmuseum
- “The Massage”, 1880s
- “The Shower”, 1880s
- “The Dressers of Saint Joseph”, 1880s
- “The Fishing Port of Blankenberge” — Royal Museum of Fine Arts Antwerp
- “Barges in Dinant” — Royal Museum of Fine Arts Antwerp
- “Bridge over the River Lesse” — Royal Museum of Fine Arts Antwerp
- “Landscape in the Ardennes”, 1882 — Royal Museum of Fine Arts Antwerp
- “Landscape in Sweden”, 1871 — Museum of Fine Arts Ghent (MSK)
- “The Trifles of the Door”, 1880s
- “The Man with the Wild Woman”
- “Satan Sowing”, 1872
- “The Falconer (La fauconniere)” — National Gallery of Art
- “The Sparrow of Lesbie (Le moineau de Lesbie)” — National Gallery of Art
- “Oude-Kate” — National Gallery of Art
- “Le Rydeack” — National Gallery of Art
- “Woman with bolero hat”, 1858 — Musea Brugge
- “Japanese Lizard”, 1876 — Musea Brugge
- “Le Vice suprème: Frontispiece”, 1884 — National Gallery of Art
- “La Dernière Maja”, 1880 — National Gallery of Art
- “Washerwomen”, 1884 — National Gallery of Art
- “Heyst, 1881”, 1881
- “Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)”, 1871 — National Gallery of Art
- “Gaspard de la Nuit”, 1868 — National Gallery of Art
- “The Little Potato Peeler (La petite peleuse de pommes de terre)” — National Gallery of Art
- “The Train of Maris (Le train de Maris)” — National Gallery of Art
- “Frontispiece: The Dregs of Society (Les bas-fonds de la societe)”, 1864 — National Gallery of Art
- “Louis Namêche”
- “The incantation”, 1878 — musée provincial Félicien Rops
- “Death at the Ball”, 1865–1875 — Kröller-Müller Museum
- “The Parable of the Sower (Le Semeur de Paraboles)”, 1876 — National Gallery of Art
- “Frontispiece: The Waifs (Les Epaves)”, 1868 — National Gallery of Art
- “The Red Iron (Le Fer Rouge)”, 1871 — National Gallery of Art
- “Satan Sowing Tare (Satan semant l'ivraie)” — National Gallery of Art
- “Lace appraiser (L'Experte en Dentelles)”, 1876 — National Gallery of Art
- “L'Ecole de l'idéal; Le Petit Eyolf”, 1895 — National Gallery of Art
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