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Artist
Richard Parkes Bonington
1802–1828 · United Kingdom · Orientalism
Richard Parkes Bonington (25 October 1802 – 23 September 1828) was an English Romantic landscape painter, who in his last years also painted many historical figure paintings. His family moved to France when he was 14 and he can also be considered as a French artist, and an intermediary bringing aspects of English style to France. Wikipedia
54 works in the quiz. Play a round on Richard Parkes Bonington — not whether it is theirs, but which one.
Works
- “François Ier, Charles Quint et la duchesse d'Étampes by Richard Parkes Bonington”, 1827 — Louvre
- “On the Adriatic”, 1826 — Louvre
- “Corso Sant'Anastasia, Verona”, 1828 — Yale Center for British Art
- “The Pont des Arts, Paris”, 1826 — National Gallery
- “French Coast with Fishermen”, 1825 — Tate
- “A Distant View of St-Omer”, 1824 — National Gallery
- “Venice: Ducal Palace with a Religious Procession”, 1828 — National Gallery
- “A Fish-market near Boulogne”, 1824 — Yale Center for British Art
- “Quentin Durward at Liège, Belgium”, 1827 — Nottingham Museums
- “On the Seine near Mantes”, 1825 — Wallace Collection
- “Ruins of the Abbey Saint Bertin”, 1824 — Castle Museum and Art Gallery
- “Boats near Shore of Normandy”, 1823 — Hermitage Museum
- “View near Rouen”, 1825 — Metropolitan Museum of Art
- “Roadside Halt”, 1826 — Metropolitan Museum of Art
- “View on the Grounds of a Villa near Florence”, 1826 — Art Institute of Chicago
- “La Ferté”, 1825 — National Gallery
- “View of Venice: The Riva degli Schiavoni and the Doges' Palace”, 1827 — Louvre
- “Seapiece: Off the French Coast”, 1823
- “The Grand Canal”, 1826
- “Paris from Pere Lachaise” — Victoria and Albert Museum
- “The Use of Tears” — Museum of Fine Arts, Boston
- “Rouen Cathedral, Sunrise”, 1825 — Minneapolis Institute of Art
- “Beached Vessels and a Wagon near Trouville”, 1825 — Yale Center for British Art
- “Seated Turk”, 1826 — Yale Center for British Art
- “Calais Jetty, France”, 1824 — Yale Center for British Art
- “In the Forest at Fontainebleau”, 1825 — Yale Center for British Art
- “Barges on a River”, 1826 — Yale Center for British Art
- “Grand Canal, Venice”, 1826 — Yale Center for British Art
- “A Wooded Lane”, 1825 — Yale Center for British Art
- “Vue d'une rue des Faubourgs de Besançon (View of a Street in the Outskirts of Besançon)”, 1827 — National Gallery of Art
- “The Chibouk”, 1826 — National Gallery of Ireland
- “An Italian Town”, 1825 — Birmingham Museums Trust
- “French Hulk”, 1824 — Birmingham Museums Trust
- “Fishing Smacks in French Harbour”, 1821 — Birmingham Museums Trust
- “Venice: The Grand Canal”, 1826 — National Galleries of Scotland
- “Les Salinieres near Trouville”, 1827 — National Galleries of Scotland
- “A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )”, 1826 — Yale Center for British Art
- “Near Quillebeuf”, 1824 — Yale Center for British Art
- “View near Sarzana, Val di Magra”, 1826 — National Galleries of Scotland
- “A Sea Piece”, 1824 — Wallace Collection
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