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Artist
Laurent de La Hyre
1606–1656 · France · Neoclassicism
Laurent de La Hyre (27 February 1606 – 28 December 1656) was a French Baroque painter, born in Paris. He was a leading exponent of the neoclassical style of Parisian Atticism. Wikipedia
20 works in the quiz. Play a round on Laurent de La Hyre — not whether it is theirs, but which one.
Works
- “Panthea, Cyrus, and Araspas”, 1631 — Art Institute of Chicago
- “The Virgin and Child”, 1642 — Louvre
- “Saint Pierre guérissant les malades”, 1635 — Notre-Dame de Paris
- “Allegory of Arithmetic”, 1650 — Walters Art Museum
- “Le Martyre de Saint-Barthélémy by Laurent de La Hyre”, 1637
- “Landscape with the Rock Gate” — Wallraf-Richartz Museum
- “La conversion de Saint Paul by Laurent de La Hyre”, 1637 — Notre-Dame de Paris
- “Dead Adonis”, 1620s — Louvre
- “Allegory of Grammar”, 1650 — National Gallery
- “Mercury Takes Bacchus to be Brought up by Nymphs”, 1638 — Hermitage Museum
- “Allegory of Music”, 1649 — Metropolitan Museum of Art
- “Job restored to prosperity”, 1648 — Chrysler Museum of Art
- “Cornelia rejects the crown of the Ptolemies”, 1646 — Museum of Fine Arts
- “Allegory of Geometry”, 1649 — Fine Arts Museums of San Francisco
- “The Children of Bethel Mourned by their Mothers”, 1653 — Musée des Beaux-Arts d'Arras
- “Diana and Her Nymphs in a Landscape”, 1644 — J. Paul Getty Museum
- “Glaucus and Scylla”, 1640–1644 — J. Paul Getty Museum
- “Saint Paul Shipwrecked on Malta”, 1630 — Birmingham Museum of Art
- “The Assumption”, 1653 — Los Angeles County Museum of Art
- “The Meeting of Abraham and Melchizedek”, 1629 — Musée des Beaux-Arts de Rennes
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