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Artist
Max Slevogt
1868–1932 · Germany · Impressionism
Max Slevogt (8 October 1868 – 20 September 1932) was a German Impressionist painter and illustrator, best known for his landscapes. He was, together with Lovis Corinth and Max Liebermann, one of the foremost representatives in Germany of the plein air style. Wikipedia
36 works in the quiz. Play a round on Max Slevogt — not whether it is theirs, but which one.
Works
- “Das Champagnerlied”, 1902 — Staatsgalerie Stuttgart
- “The Nile near Aswan”, 1914 — Dresden State Art Collections
- “Don Juan's encounter with the stony guest”, 1906 — Alte Nationalgalerie
- “Vine Arbour in Neukastel”, 1917 — Wallraf-Richartz Museum
- “Flower Garden I in Neu Cladow”, 1912 — Westphalian State Museum of Art and Cultural History
- “Young Black Man”, 1914 — Dresden State Art Collections
- “Parade”, 1913 — Landesmuseum Hannover
- “Pirates”, 1914 — Dresden State Art Collections
- “Sandstorm in the Libyan Desert”, 1914 — Dresden State Art Collections
- “The Dancer Marietta di Rigardo”, 1904 — Dresden State Art Collections
- “Sudanese women”, 1914 — Dresden State Art Collections
- “Portrait of the Art historian Karl Voll”, 1898 — Bavarian State Painting Collections
- “Grape harvest.”, 1900s — National Museum in Warsaw
- “Faun and a girl”, 1900s — National Museum in Warsaw
- “Landscape with a view of Landau”, 1909 — National Museum in Warsaw
- “Female Nude from the Back”, 1905 — Museum Kunstpalast
- “The Singer Francisco d'Andrade as Don Giovanni in Mozart's Opera”, 1912 — Alte Nationalgalerie
- “Don Quichote und Sancho Pansa”, 1917
- “Requiem for the St. Georgsknights”, 1908 — Alte Nationalgalerie
- “Lady Adventure”, 1894 — Städel Museum
- “Luise Papenhagen”, 1897 — Lenbachhaus
- “Danae”, 1895 — Lenbachhaus
- “A Self-Portrait in the Garden at Godramstein”, 1910 — Worcester Art Museum
- “Still life with Melon”, 1931 — Westphalian State Museum of Art and Cultural History
- “Portrait of a dancer Antonia Mercé called "La Argentina".”, 1926 — National Museum in Szczecin
- “Blossoming Lilac”, 1921 — Städel Museum
- “Self Portrait in the Studio”, 1903 — Westphalian State Museum of Art and Cultural History
- “Self - portrait” — Pomeranian State Museum
- “Frau Voll mit Tochter”, 1895 — Alte Nationalgalerie
- “Porträt des Julius Freund”, 1925 — Stiftung Stadtmuseum Berlin
- “Sada Yakko”, 1901
- “Portrait der Tänzerin Sadayakko mit ihrem Ziehsohn Raikichi”, 1901
- “Unter den Linden”, 1913 — Alte Nationalgalerie
- “Wounded Soldiers in St. Peter's Church in Douai”, 1914 — Deutsches Historisches Museum
- “Port (Bridge)”, 1905 — National Gallery Prague
- “The Hollyhock Gardener”, 1920 — Kunsthalle Mannheim
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