Francesco Bartolozzi

1728–1815

Francesco Bartolozzi (21 September 1727 – 7 March 1815) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving. Wikipedia

20 works in the quiz. Play a round on Francesco Bartolozzi — not whether it is theirs, but which one.

Works

“Ignatius Sancho”, 1802 — Metropolitan Museum of Art
“Lodona from Pope's Windsor Forest”, 1800s
“Thomas Cheesman”, 1777 — National Portrait Gallery
“Captn. James King L.L.D._ F.R.S”, 1784 — National Library of Wales
“Henrietta Frances Viscountess Duncannon”, 1809 — National Library of Wales
“Christ child in a basket, after Giovanni Francesco Barbieri (Guercino)”, 1794 — Vanderbilt Museum of Art
“Male Head, after Leonardo”, 1796 — Vanderbilt Museum of Art
“Oliver Cromwell”, 1802 — National Gallery of Art
“Mrs. Montague”, 1792 — National Gallery of Art
“Alexander, Lord Loughborough”, 1800 — National Gallery of Art
“Edward, Lord Thurlow”, 1782 — National Gallery of Art
“Gawin Carow Knight”, 1796 — National Library of Wales
“Thomas Parrie”, 1793 — National Library of Wales
“Elizabeth Farran”, 1792 — National Gallery of Art
“Mary, Queen of Scots” — National Gallery of Art
“The Portrait of Anibale Caracci, Drawn by Himself, After Anibale Caracci (Italian, 1560-1609)”, 1765 — Vanderbilt Museum of Art
“Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V”, 1789 — Yale Center for British Art
“Prospero Disarming Ferdinand, Act I, Scene II” — Yale Center for British Art
“Certificate of the Royal Academy of Arts appointing Henry Perronet Briggs to be an Associate, November 7, 1825” — Yale Center for British Art
“Peasants Going to Market” — Yale Center for British Art