George Cruikshank

1792–1878 · Vereinigtes Königreich

George Cruikshank (* 27. September 1792 in London; † 1. Februar 1878 ebenda) war ein britischer Karikaturist und Illustrator und Kupferstecher. Er gilt als Nachfolger des 1815 verstorbenen James Gillray. Wikipedia

54 Werke im Quiz. Eine Runde spielen: George Cruikshank – nicht „Ist das von ihm?“, sondern „Welches?“.

Werke

„Die alliierten Bäcker, oder: die korsische Fleischpastete.“, 1814 — British Museum
„Plate V, Cold, Misery, and Want Destroy Their Youngest Child“, 1847 — Yale Center for British Art
„Plate IV, Unable to Obtain Employment They Are Driven by Poverty into the Streets to Beg“, 1847 — Yale Center for British Art
„Plate II, He is Discharged form his Employment for Drunkenness“, 1847 — Yale Center for British Art
„Plate I, The Bottle is Brought out for the First Time“, 1847 — Yale Center for British Art
„Nashional Taste!!!“, 1824 — Nationalbibliothek von Wales
„My friend John Sheringham“, 1878 — Nationalbibliothek von Wales
„Anticipated Effects of the Tailors' "Strike"“, 1834 — National Gallery of Art
„The Death of Property Tax!!!“, 1816 — National Gallery of Art
„Jack Sheppard Accuses Thames Darrell of the Theft“, 1839 — Yale Center for British Art
„Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate“, 1839 — Yale Center for British Art
„The Battle of the Nile“ — Yale Center for British Art
„The Gamekeepers Attacking the Poachers“ — Yale Center for British Art
„The Theatrical Atlas“, 1814 — Metropolitan Museum of Art
„The Prince of Whales or the Fisherman at Anchor“, 1812 — Metropolitan Museum of Art
„Ancient Military Dandies of 1450 – Modern Military Dandies of 1819“, 1835 — Metropolitan Museum of Art
„A Sepulchral Enquiry into English History“, 1813 — Metropolitan Museum of Art
„Imperial Botany–or a Peep at Josephine's Collection of Engilsh Exoticks, vide the Champion Jany 30, 1814“, 1814 — Metropolitan Museum of Art
„Mr. Weazel Renews an Old Friendship“ — Yale Center for British Art
„Jonathan Wild Discovers Darrell in the Loft“, 1835 — Yale Center for British Art
„An Awkward Post“ — Yale Center for British Art
„Pisces - Too Deep!“ — Yale Center for British Art
„Mr Crump's Extreme Politeness“ — Yale Center for British Art
„"Captain Kelly conveys a slight remonstance"“ — Yale Center for British Art
„Mrs. Sheppard Expostulating with her Son“, 1839 — Yale Center for British Art
„Sagittarius - The Archer (Not "Venus' Son Divine.")“ — Yale Center for British Art
„Jack Sheppard's Escape from the Cage at Willesden“, 1839 — Yale Center for British Art
„My good friends, 'favete linguis'“, 1836 — Yale Center for British Art
„Whiles-at brose-time“, 1836 — Yale Center for British Art
„The Captain of Knockdunder“, 1836 — Yale Center for British Art
„A 'summat' to Eat and Drink“, 1836 — Yale Center for British Art
„The Last Chance“, 1838 — Yale Center for British Art
„Very unpleasant weather“, 1820 — National Gallery of Art
„A Game of Cribbage or Boney's Last Shuffle“, 1814 — Metropolitan Museum of Art
„Peace and Plenty or Good News for John Bull!!!“, 1814 — Metropolitan Museum of Art
„Oliver plucks up a spirit“, 1837 — Yale Center for British Art
„Oliver Asking for More“, 1837 — Yale Center for British Art
„Oliver Escapes being Bound Apprentice to the Sweep“, 1837 — Yale Center for British Art
„Oliver being Introduced to the Respectable Old Gentleman“, 1837 — Yale Center for British Art
„Monstrosities of 1822 - Pt. 5“, 1835 — Yale Center for British Art