James Gillray

1756–1815 · Vereinigtes Königreich

James Gillray (geboren am 13. August 1757 in Chelsea; gestorben am 1. Juni 1815 in London) war ein britischer Karikaturist, der vor allem durch seine satirischen, politischen Radierungen und Kupferstiche berühmt wurde. Wikipedia

51 Werke im Quiz. Eine Runde spielen: James Gillray – nicht „Ist das von ihm?“, sondern „Welches?“.

Werke

„The American Rattle Snake“, 1782 — Metropolitan Museum of Art
„Uncorking Old Sherry“, 1805 — Metropolitan Museum of Art
„The Death of the Great Wolf“, 1795
„Theatrical Mendicants Relieved - have Pity upon all our Aches and Wants!“, 1809 — Metropolitan Museum of Art
„The Zenith of French Glory; - the Pinnacle of Liberty“, 1793 — Metropolitan Museum of Art
„A Kick at the Broad-Bottoms!– i.e. Emancipation of "All the Talents &c" - Vide the Fate of Ye Catholic Bill“, 1807 — Metropolitan Museum of Art
„Lordly Elevation“, 1802 — Metropolitan Museum of Art
„"Two Pair of Portraits" presented to all the unbiased Electors of Great Britain" by John Horne Tooke“, 1798 — Metropolitan Museum of Art
„Delicious Dreams! –Castles in the Air! –Glorious Prospects!“, 1808 — Metropolitan Museum of Art
„Despair“, 1802 — Metropolitan Museum of Art
„L'Enfant Trouvé:–a Sample of Roman Charity!–or–the Misfortune of Not Being Born with Marks of "the Talents"“, 1808 — Metropolitan Museum of Art
„The Esplanade“, 1797 — Metropolitan Museum of Art
„"The Friend of the People" & his Petty New Tax Gatherer, Paying John Bull a Visit“, 1806 — Metropolitan Museum of Art
„"Improvement in Weights and Measures"; or, Sir John Seeclear Discovering Ye Ballance of Ye British Flag“, 1798 — Metropolitan Museum of Art
„The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag“, 1803 — Metropolitan Museum of Art
„The Magnanimous Minister, Chastising Prussian Perfidy.–vide–Morning Chronicle April 28th“, 1806 — Metropolitan Museum of Art
„The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper“, 1805 — Metropolitan Museum of Art
„Monstrous Craws at a New Coalition Feast“, 1787 — Metropolitan Museum of Art
„Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters“, 1802 — Metropolitan Museum of Art
„Substitutes for Bread;–or–Right Honorables, Saving the Loaves, & Dividing the Fishes“, 1795 — Metropolitan Museum of Art
„Germans Eating Sour-Krout“, 1803 — Metropolitan Museum of Art
„Temperance Enjoying a Frugal Meal“, 1792 — Metropolitan Museum of Art
„An Old Maid on a Journey“, 1804 — Metropolitan Museum of Art
„Farmer Giles and His Wife Showing Off Their Daughter Betty to Their Neighbours on her Return from School“, 1809 — Metropolitan Museum of Art
„French Liberty. British Slavery“, 1792 — Metropolitan Museum of Art
„Venus a la Coquelle: or the Swan-sea Venus“, 1809 — Metropolitan Museum of Art
„A Phantasmagoria;—Scene–Conjuring-Up an Armed-Skeleton“, 1803 — Metropolitan Museum of Art
„French Volunteers Marching to the Conquest of Great Britain“, 1803 — Metropolitan Museum of Art
„The Wounded Lion“, 1805 — Metropolitan Museum of Art
„The Bottomless-Pitt“, 1792 — Metropolitan Museum of Art
„Modern Grace; - or the Operatical Finale to the Ballet of Alonzo e Caro“, 1796 — Metropolitan Museum of Art
„"More Pigs Than Teats",–or–the New Litter of Hungry Grunters, Sucking John-Bull's-Old-Sow to Death“, 1806 — Metropolitan Museum of Art
„The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition“, 1807 — Metropolitan Museum of Art
„Pillars of the Constitution“, 1809 — Metropolitan Museum of Art
„Political-Candour;– i.e.–Coalition-Resolutions of June 14th, 1805.–Pro bono Publico–“, 1805 — Metropolitan Museum of Art
„The Reception of the Diplomatique and his Suite at the Court of Pekin“, 1792 — Metropolitan Museum of Art
„Spanish-Patriots Attacking the French-Banditti– Loyal Britons Lending a Lift“, 1808 — Metropolitan Museum of Art
„The State Waggoner and John Bull.–or–the Waggon too Much for the Donkeys!“, 1804 — Metropolitan Museum of Art
„A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)“, 1783 — Yale Center for British Art
„Scene le Vrog House“, 1782 — Yale Center for British Art