Honoré Daumier

1808–1879 · France · Realism

Honoré-Victorin Daumier (26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870. Wikipedia

53 works in the quiz. Play a round on Honoré Daumier — not whether it is theirs, but which one.

Works

“The Chess players”, 1865 — Musée des Beaux-Arts de la ville de Paris
“The Third-Class Carriage”, 1868 — Metropolitan Museum of Art
“The Laundress”, 1863 — Musée d'Orsay
“Don Quijote and Sancho Panza”, 1868 — Bavarian State Painting Collections
“The Third-Class Carriage”, 1863 — National Gallery of Canada
“Ecce homo”, 1851 — Museum Folkwang
“The Melodrama”, 1860 — Bavarian State Painting Collections
“The Emigrants”, 1857 — Musée des Beaux-Arts de la ville de Paris
“Crispin and Scapin”, 1864 — Musée d'Orsay
“Orchestra Stalls” — Cincinnati Art Museum
“Don Quixote and Sancho Panza”, 1866 — Alte Nationalgalerie
“The Painter at His Easel”, 1870 — Phillips Collection
“Daumier fut le peintre ordinaire...”, 1839 — National Gallery of Art
“Family on the Barricades”, 1848 — National Gallery Prague
“Don Quijote und Sancho Panza”, 1865 — Staatliche Kunsthalle Karlsruhe
“Ratapoil”, 1851 — Bavarian State Painting Collections
“The Third Class Carriage”, 1864 — Walters Art Museum
“Grand escalier du Palais de justice. Vue de face”, 1848 — National Gallery of Art
“Man under lock and key” — Finnish National Gallery
“Don Quixote and the Windmills”, 1850 — Art Institute of Chicago
“The Connoisseur”, 1862 — Metropolitan Museum of Art
“Two Lawyers”, 1860 — Art Institute of Chicago
“Siré. Lisbonne est prise. - aaaah!! . aussi j'ai revè que je me battais crânement”, 1833 — Brasiliana Itaú Collection
“Kssssse! Pédro . Ksssse! Ksssse! Miguel! ('Ces deux capons là ne feront jamais grand mal)”, 1833 — Brasiliana Itaú Collection
“The Troubadour”, 1868 — Cleveland Museum of Art
“Jacques-Antoine-Adrien, Baron Delort” — National Gallery of Art
“Charles-Guillaume Etienne” — National Gallery of Art
“Auguste Gady” — National Gallery of Art
“François-Pierre-Guillaume Guizot” — National Gallery of Art
“Vois-tu, mon ami... il n'y a que deux élemens... du bonheur...”, 1843 — National Gallery of Art
“Une Révolte a bord”, 1843 — National Gallery of Art
“Ah! ben... le convoi... peut se flatter de l'échapper...”, 1843 — National Gallery of Art
“Allons donc... que diable cocher...”, 1843 — National Gallery of Art
“Félix Barthe”, 1833 — National Gallery of Art
“Baillot”, 1833 — National Gallery of Art
“Comte de Kératry”, 1833 — National Gallery of Art
“Amiral de Rigny”, 1833 — National Gallery of Art
“Un Défenseur... causant... dans son cabinet habituel”, 1846 — National Gallery of Art
“Nous avons grande représentation aujourd'hui”, 1847 — National Gallery of Art
“Encore perdu en Cour Royale... et il se lamente...”, 1848 — National Gallery of Art

Honoré Daumier

Works

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