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Artist
Grant Wood
1891–1942 · United States · Regionalism
Grant DeVolson Wood (February 13, 1891 – February 12, 1942) was an American artist and representative of Regionalism, best known for his paintings depicting the rural American Midwest. Wikipedia
What to look for
Stylised, crisp American Regionalism: rounded hills, stiff farmers, sharp detail and folk-art order.
36 works in the quiz. Play a round on Grant Wood — not whether it is theirs, but which one.
Works
- “American Gothic”, 1930 — Art Institute of Chicago
- “Woman with Plants”, 1929 — Museum of Art Cedar Rapids
- “Daughters of Revolution”, 1932 — Cincinnati Art Museum
- “The Midnight Ride of Paul Revere”, 1931 — Metropolitan Museum of Art
- “Arnold Comes of Age”, 1930 — Sheldon Museum of Art
- “Fall Plowing”, 1931 — Deere & Company
- “Stone City, Iowa (painting)”, 1930 — Joslyn Art Museum
- “Sentimental Ballad”, 1940 — New Britain Museum of American Art
- “January”, 1940 — Cleveland Museum of Art
- “The Birthplace of Herbert Hoover, West Branch, Iowa”, 1931 — Minneapolis Institute of Art
- “Death on the Ridge Road”, 1935 — Williams College Museum of Art
- “Parson Weems's Fable”, 1939 — Amon Carter Museum of American Art
- “Grandma Wood's House”, 1926 — Figge Art Museum
- “Quivering Aspen”, 1917 — Figge Art Museum
- “Ship”, 1920s — Figge Art Museum
- “Landscape”, 1928
- “The Little Chapel, Chancelade”, 1926 — Figge Art Museum
- “Truck Garden, Moret”, 1924 — Figge Art Museum
- “Sunlit House”, 1928 — Figge Art Museum
- “Self-Portrait”, 1941 — Figge Art Museum
- “Calendulas”, 1929 — Museum of Art Cedar Rapids
- “Portrait of Nan”, 1933
- “The Luxembourg Gardens”, 1924 — Figge Art Museum
- “Dinner for Threshers”, 1934 — Fine Arts Museums of San Francisco
- “Spring In Town”, 1941
- “Village Slums”, 1937
- “In the Spring”, 1939
- “March”, 1939
- “Family Doctor”, 1940
- “Seed Time and Harvest”, 1937
- “Spring in the Country”, 1941
- “Young Corn”, 1931
- “Portrait of John B. Turner, Pioneer”, 1929
- “Fruits”, 1939
- “Honorary Degree”, 1938
- “Portrait of Frances Fiske Marshall”, 1929