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Artist
Thomas Hart Benton
1889–1975 · United States · Regionalism
Thomas Hart Benton (April 15, 1889 – January 19, 1975) was an American painter, muralist, and printmaker. Along with Grant Wood and John Steuart Curry, he was at the forefront of the Regionalist art movement. Wikipedia
28 works in the quiz. Play a round on Thomas Hart Benton — not whether it is theirs, but which one.
Works
- “Achelous and Hercules”, 1947 — Smithsonian American Art Museum
- “People of Chilmark (Figure composition)”, 1920 — Hirshhorn Museum and Sculpture Garden
- “Self-Portrait with Rita”, 1924 — National Portrait Gallery
- “Louisiana Rice Fields”, 1928 — Brooklyn Museum
- “Poker Night (from A Streetcar Named Desire)”, 1948 — Whitney Museum of American Art
- “Bubbles”
- “American Discovery Viewed by Native Americans”
- “Chilmark Landscape”, 1922 — Hirshhorn Museum and Sculpture Garden
- “House in Cubist” — Whitney Museum of American Art
- “The Cliffs”, 1921 — Hirshhorn Museum and Sculpture Garden
- “Noon”
- “Hollywood”, 1938
- “Woman”, 1920
- “July Hay”, 1942
- “Threshing Wheat”, 1939
- “Wheat”, 1967
- “Cotton Pickers, Georgia”, 1929
- “Unemployment, Radical Protest, Speed”, 1932
- “Upper Manhattan”, 1917
- “Cradling Wheat”, 1939
- “Outreaching Hands”, 1931
- “Portrait of a Musician”, 1949
- “Instruments of Power”, 1931
- “Roasting Ears”, 1939
- “Arts of the City”, 1932
- “Coal”, 1931
- “Changing West”, 1931
- “New England Editor”, 1946