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Artist
Benjamin Haydon
1786–1846 · Kingdom of Great Britain
Benjamin Robert Haydon (26 January 1786 – 22 June 1846) was a British painter who specialised in grand historical pictures, although he also painted a few contemporary subjects and portraits. Wikipedia
64 works in the quiz. Play a round on Benjamin Haydon — not whether it is theirs, but which one.
Works
- “Christ's Entry into Jerusalem”, 1817 — Athenaeum of Ohio – Mount St. Mary's Seminary of the West
- “The Anti-Slavery Society Convention, 1840”, 1841 — National Portrait Gallery
- “Alexander the Great taming Bucephalus”, 1826 — National Trust
- “Punch or May Day”, 1829 — National Gallery
- “The Maid of Saragossa” — The Box
- “The Mock Election”, 1827 — Royal Collection
- “The Duke of Wellington Describing the Field of Waterloo to George IV”
- “Curtius Leaping into the Gulf”, 1842 — Royal Albert Memorial Museum & Art Gallery
- “Chairing the Member”, 1828 — National Gallery
- “The Raising of Lazarus”, 1822 — National Gallery
- “John Keats”, 1816 — Yale Center for British Art
- “Portrait Sketch and Seated Figures” — Yale Center for British Art
- “Xenophon and the Greeks Sighting the Sea [verso]” — National Gallery of Art
- “Meeting of the Birmingham Political Union”, 1832 — Birmingham Museums Trust
- “The Banishment of Aristides” — Yale Center for British Art
- “William Wordsworth”, 1842 — National Portrait Gallery
- “Benjamin Robert Haydon”, 1845 — National Portrait Gallery
- “Marcus Curtius”, 1843 — National Gallery of Victoria
- “Venus and Anchise”, 1826 — Yale Center for British Art
- “Portrait Study of a Young Man” — Yale Center for British Art
- “Portraid Study of a Young Man”, 1805 — Yale Center for British Art
- “Figure Studies of the Virgin Mary” — Yale Center for British Art
- “Pharaoh and Moses”, 1813 — Yale Center for British Art
- “James Henry Leigh Hunt”, 1811 — National Portrait Gallery
- “Napoléon Bonaparte”, 1830 — National Portrait Gallery
- “Arthur Wellesley, 1st Duke of Wellington”, 1839 — National Portrait Gallery
- “Rear View Sstudy of a Nude Figure” — Yale Center for British Art
- “Children Leaning From a Window”, 1805 — Yale Center for British Art
- “The Prince Regent, Scene iV”, 1812 — Yale Center for British Art
- “Westminster Bridge”, 1805 — Yale Center for British Art
- “Portrait Study, of a Man's Profile” — Yale Center for British Art
- “The Murder of Duncan - Study of Sleeping Grooms”, 1809–1811 — Yale Center for British Art
- “Xenophon and the Greeks Sighting the Sea [recto]” — National Gallery of Art
- “Portrait Studies of Women in Various Headdress” — Yale Center for British Art
- “The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body”, 1809–1811 — Yale Center for British Art
- “The Murder of Duncan - The Sleeping Groom”, 1809–1811 — Yale Center for British Art
- “Self Portrait as the Spirit of the Vine”, 1812 — Royal Albert Memorial Museum & Art Gallery
- “Miss Mary Russell Mitford (1787–1855)”, 1824 — Reading Museum
- “Henrietta Nelson Noble”, 1830–1835 — Royal Albert Memorial Museum & Art Gallery
- “Portrait of a Man” — Ashmolean Museum