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Künstler
Benjamin Robert Haydon
1786–1846 · Königreich Großbritannien
Benjamin Robert Haydon, spr. hêdôn, (* 26. Januar 1786 in Plymouth; † 22. Juni 1846 in London) war ein britischer Historienmaler. Wikipedia
51 Werke im Quiz. Eine Runde spielen: Benjamin Robert Haydon – nicht „Ist das von ihm?“, sondern „Welches?“.
Werke
- „Christ's Entry into Jerusalem“, 1817 — Athenaeum of Ohio – Mount St. Mary's Seminary of the West
- „The Anti-Slavery Society Convention, 1840“, 1841 — National Portrait Gallery
- „Alexander the Great taming Bucephalus“, 1826 — Nationaler Trust
- „The Maid of Saragossa“ — Die Kiste
- „The Mock Election“, 1827 — Royal Collection
- „Curtius Leaping into the Gulf“, 1842 — Royal Albert Memorial Museum & Art Gallery
- „Punch or May Day“, 1829 — National Gallery
- „The Duke of Wellington Describing the Field of Waterloo to George IV“
- „Meeting of the Birmingham Political Union“, 1832 — Birmingham Museums Trust
- „Study of a Man in a Long Robe“ — Yale Center for British Art
- „Study of the Crucifixion“ — Yale Center for British Art
- „John Keats“, 1816 — Yale Center for British Art
- „Study for the Head of Christ and an Apostle“ — Yale Center for British Art
- „Anatomical Study of a Leg“ — Yale Center for British Art
- „Anatomical Study of the Heel of a Foot“ — Yale Center for British Art
- „Study of a Hand, Balled into a Fist“ — Yale Center for British Art
- „Study of Two Male Nudes“, 1804 — Yale Center for British Art
- „Study of a Soldier“ — Yale Center for British Art
- „Study of a Veiled Woman“ — Yale Center for British Art
- „Study of a Woman, at Rear View“ — Yale Center for British Art
- „Study of a Woman Wearing a Headdress“ — Yale Center for British Art
- „Study of a Leaning Figure“ — Yale Center for British Art
- „Studies of a Seated Woman“ — Yale Center for British Art
- „Study of a Lioness“, 1812 — Yale Center for British Art
- „Study of Mary, Queen of Scots, Going to Execution“ — Yale Center for British Art
- „Study of a Male Nude“ — Yale Center for British Art
- „Study of a Figure, Holding a Dagger“ — Yale Center for British Art
- „Study of Feet“ — Yale Center for British Art
- „Sketches for a Scene from 'Macbeth'“, 1811 — Yale Center for British Art
- „Study of Two Children“ — Yale Center for British Art
- „Portrait Sketch and Seated Figures“ — Yale Center for British Art
- „Study of a Sitting Figure“ — Yale Center for British Art
- „Study of a Kneeling Woman“ — Yale Center for British Art
- „Study of a Reclining, Nude Figure“, 1806 — Yale Center for British Art
- „Study of a Man“ — Yale Center for British Art
- „Xenophon and the Greeks Sighting the Sea [verso]“ — National Gallery of Art
- „Study sketch for the painting, Christ's Entry Into Jerusalem“, 1820 — Vanderbilt Museum of Art
- „The Banishment of Aristides“ — Yale Center for British Art
- „Figure studies“ — Yale Center for British Art
- „Head Studies“ — Yale Center for British Art